I’m constantly experimenting with keywords and tags. They are a must need for any author trying to sell books online. Tags can help readers find your books. Amazon has what I feel is the most advanced system for tag/keyword use.
If you publish through Amazon’s Kindle Direct Publishing, you can designate two categories for your books and up to seven keywords. Use these. Amazon takes into Continue reading
Good morning bookish friends. This week I’m posting on the road. I’ve spent the week on business in Kansas City, currently pulsing with excitement over March Madness and the new Wiz of Oz movie.
I have to admit that I feel a bit like Dorothy sometimes… timidly shuffling down the yellow brick road of book publishing. Sometimes I find a Tin Man like my friends Suzy Turner or Laura Elliott who have big hearts when it comes to helping their fellow indie writers. Sometimes it’s a lion like T.R. Graves who Continue reading
I’ve waited my whole life to say it…I AM the Chosen One!
I feel so loved. I have been chosen as this week’s YA Indie Author Club spotlight author. Please check out their blogs to see what it’s all about…
This week, SUZY TURNER is in the Carnival’s center ring. Turner is the author of Raven, December Moon, The Ghost of Josiah Grimshaw, Daisy Madigan’s Paradise, and my personal favorite, The Lost Soul.
Suzy is a pretty cool chick. She’s worked as a journalist, a magazine editor, and even a script supervisor on a feature film. She has an awesome sense of humor and a flair for drama. Just read the Carnival Ringmaster’s interview with Suzy below and you’ll see what I mean… Continue reading
Just a few quick notes before we begin. 1) Charlaine Harris (yes, the Charlaine Harris) will be at the WV Book Festival tomorrow. See you there. 2) Stop by the Info Booth at the Bob Evans Farm Festival today from 1-5 to see me. Not a formal book signing, but I’ll sign’em if you bring’em. 3) Just confirmed book signing at Silver Screen VII Gallipolis prior to midnight show of Breaking Dawn Pt. II. 4) Headed to Dallas (Grapevine actually) this Monday. Will be there for the week. If you’re in town, drop me a line.
This week at the YA Indie Carnival, the topic is “What opportunities has becoming an indie offered you and/or your writing career?”
The biggest opportunity of course is that I’m not tied down by the restraints of traditional publishing. My time is my own. I can give as much or as little to my business as I want; that decision is mine. I can continue to Continue reading
I don’t.
My books aren’t published as audiobooks and I don’t listen to audiobooks. Well, not usually, when I got my first kindle I tended to use the text-to-speech function quite a bit, but that’s the closest I’ve come.
Don’t get me wrong, I am intrigued by them. In college, I co-hosted a weekly radio show on campus and I also read the news and operated the soundboard at an AM station on the weekends. I’ve thought through the technique of it many times. If I wanted to record my books as audiobooks, how would I do it?
But it’s not as simple as recording.
For an indie writer, recording the audiobook can be difficult, but it’s not the most complicated part of the process–we’ll get to that later.
First, one must decide if the piece will be author-read or if professional talent will be used. If going the pro route, consider the speaker AND the audience. Keep the gender and age of the voice talent in line with the POV of the story. Keep your ego in check. You may think that as the author, your voice would be best (after all, who knows the work better than you), but I urge you to think about the listener’s experience. If you have no previous experience in voice work; perhaps it’s best to leave that to the pros.
After recording, it doesn’t get easier. Distribution seems to be the project killer. It’s tough to get the right formats, and even then, getting your work listed in top stores like iTunes and Amazon can be a Herculean task. So, your next question is – Do I want to make money? Blunt, but necessary.
If the answer is no, consider podiobooks.com or a similar service. With podio, the author can record the book in pieces (aka serials) with nothing more than a good microphone and a laptop (although you sacrifice quality). Audiobooks on Podiobooks.com are free. Also, Smashwords will list your podiobook on the ebook’s page.
If the answer is yes, than you need to tackle the giant – Audible. Audible supplies audiobooks for the big guys like iTunes and Amazon. Don’t go to audible.com. You won’t find any info there. Go to www.acx.com. It stands for Audiobook Creation Exchange. ACX is to Audible as KDP is to Amazon (roughly). This is the site you must use to get on Audible, unless you go through a production service like openbookaudio.com.
Even on ACX, you can “audition” talent and search for a producer or submit your self-recorded files. Keep in mind that if you use pro talent and production (on ACX or another way), you must be willing to pay for it. A few weeks ago, I got a basic quote from one of the indie-friendly production shops, and for my 250-page novel, Of Sun & Moon, I was quoted $2,575 for talent and production of iTunes-ready files.
ACX does appear to offer tons of free marketing resources, and as I write this, it touts 90% royalties. So, you’ll have to do the math for yourself. Do you audiobook?
Share your audiobook experiences and see what these authors have to contribute on the subject…
